After Hours is the fourth studio album by Canadian singer The Weeknd. The album was produced primarily by The Weeknd, along with a variety of high-profile producers such as DaHeala , Illangelo , Max Martin and Metro Boomin , all of whom The Weeknd had worked with previously. The standard edition has no features, although the remixes edition contains guest appearances from Chromatics and Lil Uzi Vert. Prior to the album's release, The Weeknd confirmed After Hours would face stylistic differences to his previous album Starboy Music journalists have noted the album as an artistic reinvention for The Weeknd, with the introduction of new wave and dream pop influences, while thematically, After Hours explores promiscuity, overindulgence, and self-loathing. The album was also subject of widespread media anticipation leading up to its release. The artwork and aesthetic for the album's promotional material has been described as psychedelic and being inspired by various films, such as: Casino , Fear and Loathing in Las Vegas , and Joker and Uncut Gems both Its title track was released as a promotional single. In March , After Hours broke the record for the most global pre-adds in Apple Music history, with over 1.
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As the audience cheers, Abel Tesfaye walks backstage, his artificial smile intact, until he reaches a hallway where it fades into a frigid stare. The character he plays is an exaggerated riff on the solipsistic-hedonist persona Tesfaye has been tunneling into since his mixtape trilogy , where he first introduced listeners to his brand of brooding nihilism. In , he continues to revel in high drama; After Hour s dives deep into the textures of pleasure, despair, and how we consciously distance ourselves from our interiors. After years of attempting to bring the spectral tones of his early mixtapes to a mainstream pop format, Tesfaye finally unites his two worlds. His major-label debut Kiss Land was a languid disappointment, and Beauty Behind the Madness failed to live up to the promise made by the Trilogy tapes. Even if he is singing about the same things—bacchanalian excess, loneliness as rapture, using women to rehabilitate his poor little life—the fresh vocals and production flourishes do the trick. Buy: Rough Trade. Skip to content Search query All Results.
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W hen Abel Tesfaye first emerged nine years ago as the Weeknd he arrived with such an immaculately constructed sound and aesthetic that it swiftly became a creative prison. A rethink was in order. The agile After Hours might be his best attempt yet at fusing the two. Lyrically, he ventures into new territory too, albeit briefly. The album opens with a suite of songs that show a scintilla of remorse for failed relationships that never seemed to make it beyond the bedroom. The featherlight, Limahl-esque Save Your Tears, meanwhile, offers up a hint of self-reflection. Not that he has a problem with that.
The two of you can get married in the temple and live together forever for eternity. It's the sort of super dismissive "all women are the same" attitude that I learned in church and left to get away from. Sexuality is the enemy of romance, and romance is amazing. Having read the majority of the posts, my only real comment is that "sacrifice must be appreciated by both parties". Who knows, but I think it was especially hard for the moms of young men. He's a good man. I'll keep being me and we'll see what happens. I knew a couple in my last ward who got married in their mid 20's. As someone born and raised in the church this has been very difficult to moderate and there is some social pressure to become more involved. The Holy Ghost will testify that it is true.